Artist:Oscar Peterson
Song:Sweet Georgia Brown
Album:Genesis
Most jazz fans are familiar with pianist Oscar Peterson's recordings on Norman Granz' labels Verve and Pablo. But you may not be familiar with Peterson's recordings before he signed with Verve. This recording of Sweet Georgia Brown was released in 1949 on RCA. Fortunately, these early recordings are easy to find and cheap too. As most folks know, Peterson was born and raised in Montreal. He was classically trained but Peterson loved jazz and boogie woogie. And if you've ever watched Peterson play, no one can keep up with him. He was known as The Brown Bomber of Boogie Woogie. He practiced four to six hours a day. So he wasn't messing around. His big break came when he won a 1940 national music competition organized by the Canadian Broadcasting Corporation. He dropped out of high school and played in a band with trumpeter Maynard Ferguson. He had a weekly radio show and performed in local hotels. RCA Records' Canadian office heard Peterson and offered to record him. So he recorded for RCA from 1945-49. This recording of Sweet Georgia Brown was released on a 78rpm disc in 1949. Musicians are Austin Roberts on bass an Clarence Jones on drums. Sweet Georgia Brown is a jazz standard written by Ben Bernie, Maceo Pinkard and Kenneth Casey. Bernie was the first to record it. But Bing Crosby was the first to score a hit with the song in 1932. But Sweet Georgia Brown really became popular when Brother Bones and His Shadows recorded it in 1949. That's Brother Bones AKA Freeman Davis doing the whistling. This recording was adopted by the basketball team The Harlem Globetrotters as their theme. Sweet Georgia Brown became a jazz standard played by many jazz musicians. You can get Peterson's 1949 recording on this 4CD comp from the British label Proper Records. All of Peterson's early recordings are here. And it's available at a budget price. Norman Granz was in a cab on the way to the Montreal airport and heard Peterson on the radio. Granz told the cab driver to take him to the club. Granz brought Peterson to New York to appear on Jazz at the Philharmonic. And the rest is history. Granz became Peterson's manager and Peterson recorded for Granz' labels Verve and Pablo for most of his career. Here's Oscar Peterson with Ray Brown and Niels-Henning Orsted Pedersen on bass performing Sweet Georgia Brown at the 1974 Montreux Jazz Festival. I think this is a changing of the guard with NHOP taking over from Brown. NHOP played with Peterson for the next decade.






